Fiji Postcards V
Indo-FijiansPostcards from the private collection of Rod Ewins.
©2006 Rod Ewins
Historically there have been far fewer postcards featuring Fiji's people of Indian origin (the now-widely-adopted name for whom is Indo-Fijians). This has more to do with the prejudices of the photographers and postcard-makers than with the abundant evidence of Indo-Fijian people and the products of their lives and industry in many parts of Fiji from the time when the first postcards were being produced. However, I have been able to assemble a few relevant postcards (particularly those of Charles Stinson in the 1950s-60s) and will add more to this page as they come to hand.
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"Indian settlers in Fiji". Unused, undated. Published by Arnold and Co., Suva. Divided back hand-coloured real photo postcard, probably pre-1910. The family assembled in their best clothes for the photograph. All of the children and their father wear dhoti as their lower garments. The father's turban is quite remarkable, I have never seen one with two peaks like this. If any viewer has any information about this style, I would be pleased to hear. |
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"An Indian immigrant, Fiji". Unused, undated. Undivided back*, probably pre-1906. This woman is dressed in all her finery, her gold jewellery prominent. Even by the time of my childhood in the 1940s, such a display would normally be seen only on the occasion of a bride's wedding, though during that decade it was still common to see women on visits to town wearing quite a lot of jewellery, and nose-rings such as this woman's were commonplace. By the 1950s neither of these things was so common, and they diminished progressively. There is no indication of where this photo was taken, but my guess would be that this young woman had come out from India to be married, in an arranged marriage. Whether she was photographed at her wedding, or on the occasion of first meeting her prospective family after her time in quarantine on Nukulau, would be anyone's guess. * Stephenson published a version of this card with a divided back, hence post-1906. Apparently it continued to be published for some years. |
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"Young Indian woman, Fiji". Unused, undated. Undivided back., probably pre-1906. Like the previous picture, this woman is dressed in all her finery, her gold jewellery prominent. She is wearing a short-sleeved kurti over a longer-sleeved blouse, and a full skirt. |
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"Young women of the Indian colony of the Fiji Islands" (Jeunes filles de la Colonie indienne des Iles Fidji". Unused, undated, but probably about 1920. From a series produced by the Marist Brothers Missions in Oceania (Missions des Pères Maristes en Océanie). Published by Sous-Procure des Missions, 9, Rue de Bagneux, Paris-VI These young women are dressed in normal clothes of the period. They are under a fan-palm, niu masei (Pritchardia pacifica). |
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"Indians on Beach, Suva". Published by A.M. Brodziak & Co., Suva, Fiji. Unused, undated. Undivided back., probably pre-1906. The only real beach in Suva is at Suva Point, where this photo was almost certainly taken. It remains a favourite weekend outing spot for people of all ethnicities, and this group of Indian women were in all probability there for a day's outing. |
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Washing day on the riverbank. Original photograph. The name of the photographer is unknown but this was part of a group of photographs taken by an American GI when he was stationed in Fiji during WW2. It was a very familiar sight in Fiji throughout the 1940s and considerably later, as I can testify. |
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"Gathering Pineapples in Fiji" (They are actually, of course, sorting not gathering).Raphael Tuck & Sons, London. Copyright Fiji Government, Printed in England, Used, dated.July 5, 1924. Addressed to Mrs Crook, Enfield, St George Rd., Worthing, Sussex. Sub-caption on the back reads "In Fiji there are 60,000 indians, who were introduced as labour and have made their homes in the Colony. " There is no indication of where this was taken, but it may well have been in Lautoka, where the CSR Company grew the hybrid "Fiji King" pineapples shown here, bred for having less invasive "eyes" on the skin. The plantation, near the CSR Staff compound, was known as "Pineapple Hill". These women and the little girl are dressed in the manner that was typical right through into the 1950s, and may still be seen among rural Indian women. The man in the background, left, is wearing the loose skirt that was also very common, often caught up between the legs as a dhoti loincloth. |
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"Picking tea on the Vainunu Tea Estate, Fiji" Published by Robbie & Company, General Merchants, Levuka, Fiji. Printed in Italy, Stab. Deutsche Erfindungen, Milano. This card is unused and undated, but has a divided back so is probably shortly after 1906. |
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"Carting Sugar Cane, Fiji" Unused and undated. Numbered on face, "40". On back "Guaranteed Real Photo and British Manufacture". Divided back but early card, probably pre-World War 1. The transport of cut cane on bullock-drawn gari wagons such as this can still be seen in rare pockets in Fiji. It was unusual, however, from an early date, being superseded by the use of cane-trucks (also called gari) that ran on portable railway line that was assembled and then dis-assembled in the canefield, as can be seen in the picture two below this. These had the advantage that they could be taken to a junction with the permanent (paki) railway-line, and hooked up together to be hauled away by steam-train (see picture) to the crushing mill. When loaded onto bullock-drawn wagons the cane would either have to be taken all the way from field to mill in the cart, or unloaded and re-loaded at the railway line. The working-bullocks seen here and in the next three photographs were invariably zebu-cross animals, very hardy in the hot humid conditions in Fiji. |
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"An Indian ploughing, Fiji" Pacific Island Series, 1 of 10. Unused and undated. The wheels on the implement suggest it was a harrow rather than a plough. The working-bullocks seen in these photographs were invariably zebu-cross animals, very hardy in the hot humid conditions in Fiji. |
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"Indian ploughman, Fiji". 1018 - Fijian Views distributed by Stinsons Ltd., Suva. Photographer: Charles Stinson 'Natural color reproduction - Curteicolor.' Used, stamp postmarked October 1970. The caption on the back reads: 'Despite the advance of modern machinery and implements, there are still many primitive scenes such as this to be seen along the roadside in Fiji.' From the scenery and the modified-Fijian-style thatched house, this appears to be the Ra coast, northern Vitilevu. |
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"Loading cane". 1092 - Fijian Views Distributed by Stinsons, Suva, Fiji. Ektachrome by Charles Stinson.. 'Curteicolor ® 3-D Natural Color Reproduction, Reg. U.S.Pat.Off. ' Unused and undated, but 1950s-60s. Text on back reads: 'Fijian and Indian farmers work together loading cane-trucks in freshly-cut canefields, while bullocks wnjoy eating the cut cane tops, as they wait for the next task.' The area where Indian and Fijian cooperation such as this is most common is the hinterland of Ba, which may be where this photo was taken. |
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"Sweetmeat vendors". 1130 - Distributed by Stinsons Ltd., Suva, Fiji. Photographer: Charles Stinson. 'Curteicolor 3-D Natural color reproduction.' Unused, undated, 1950s-60s. These small trolleys selling Indian sweets (mitai) are still to be seen at various locations around Suva. These are on the corner of the Suva Market. |
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"Market day, Fiji". A Mike Roberts Color Production, Berkeley, California 94710. Distributed by Caines Jannif Limited, , Suva, Fiji. C14235 Unused and undated, but 1950s-60s. Text on back reads: 'Conveyed by horse, boat and motor vehicle, produce from every corner of a district is brought to the market. Held regularly in the main cerntres, the open-air markets are a colourful sight." |
LINKS: Girmit era Photographs: some fascinating images from India and Fiji at the time of first indenture of Indian labourers to Fiji: http://www.fijigirmit.org/ph_girmitold.htm